PRESS KIT
 
At Itaú Cultural, Ocupação Zuzu presents an extensive overview of the life and work of one of the most exceptional women in the history of Brazil.




Performance in the exhibition galleries
Fashion and politics in Brazilian cinema
Meetings with designers and personalities who knew Zuzu
Mini-course on history and fashion
Zuzu Angel’s independent fashion

 


PERFORMANCE IN THE EXHIBITION GALLERIES
Art direction by Karlla Girotto, fashion artist, designer and consultantActresses and models perform among the public, wearing reproductions of selected Zuzu Angel creations and reading excerpts from her writings and letters sent to friends, other mothers of missing persons, American politicians such as Henry Kissinger, Brazilian military officers, such as then-president Ernesto Geisel and artists such as Chico Buarque.

From Thursdays to Sundays, 2 pm to 8 pm

FASHION AND POLITICS IN BRAZILIAN CINEMA
Curated by Eduardo Morettin, professor of Audiovisual History of the School of Communication and Arts at USP (University of São Paulo). Using Zuzu’s story as a starting point, documentaries and fiction films addresses the social-political context of the military dictatorship and relives the repression that victimized the designer and her son.

PROGRAM – Fashion and Politics in Brazilian Cinema

Date/time

Title

Director

State

Year

Lenght

Thursday
April 3rd
3 pm

Zuzu Angel 

Sérgio Rezende

RJ

2006

110’

Thursday
April 3rd
5 pm

Vala Comum

João Godoy

SP

1994

32’

Hércules 56

Silvio Da-Rin

RJ

2006

94’

Thursday
April 3rd
8 pm

The Year My Parents Went on Vacation

Cao Hamburguer

SP

2006

104’

Friday
April 4th

3 pm

Diário de Uma Busca

Flávia Castro

RS

2010

108’

Friday
April 4th

5 pm

Hoje

Tata Amaral

SP

2011

90’

Friday
April 4th
8 pm

Todas as Mulheres do Mundo

Domingos Oliveira

RJ

1966

92’

Saturday
April 5th
3 pm

Memória que Me Contam

Lúcia Murat

RJ

2012

100’

Saturday
April 5th
7 pm

Launch of the TV and web seriescrônicasNÂOditas

Tatiana Lohmann, Claudia Schapira, Bianca Turner and Azul Serra

SP

2014

40’

(*) see the synopsis and director profiles below

Itaú Cultural Theater (249 places)
Tickets are distributed 30 minutes before the start of the event


MEETINGS WITH DESIGNERS AND PERSONALITIES WHO KNEW ZUZU
Designers such as Ronaldo Fraga, Gisele Dias and Isabela Capeto, and celebrities who knew Zuzu Angel, such as her daughter, journalist and exhibition co-curator Hildegard Angel, and model and actress Elke Maravilha, talk with the public about the designer's production and their own creations.

PROGRAM – Fashion and Politics in Brazilian Cinema

Date/time

Meeting

Mediator

Saturday
April 5th
5 pm

Marcos Napolitano, historian, and Tata Amaral, filmmaker

Eduardo Morettin, professor of Audiovisual History of the School of Communication and Arts at USP (University of São Paulo)

Saturday
April 19th
5 pm

Ronaldo Fraga, designer

Christiane Mesquita, researchers, professor, consultant and fashion journalist

Saturday
April 26th
5 pm

Isabela Capeto

Claudiney Ferreira, journalist and head of Itaú Cultural’s Audiovisual and Literature department and co-curator of Ocupação Zuzu

Saturday
May 3
rd
5 pm

Elke Maravilha, actress and model, and Hildegard Angel, journalist and Zuzu’s daughter

Cristiane Mesquita, researcher, professor and consultant for creative and academic projects

Saturday
May 10th
5 pm

Gisele Dias, designer

Cristiane Mesquita

2nd Floor (50 seats)
Tickets are distributed 30 minutes before the start of the event



MINI-COURSE ON HISTORY AND FASHION

Mini course by João Braga, master’s in history of science and specialist in art history and fashion clothing history. He will discuss, among other topics, Zuzu’s output and concepts such as style and fashion.

Saturday, April 5th, at 3 pm (break from 12:30 pm to 1:30 pm)
Tickets are distributed 30 minutes before the start of the event

ZUZU ANGEL'S INDEPENDENT FASHION

Zuzu's daughter, social and fashion journalist Hildegard Angel talks in details about the creative process of her mother's main works, their social and cultural contexts and strategies.

Friday, May 9th, at 7 pm
Tickets are distributed 30 minutes before the start of the event


(*) FILM SERIES: SYNOPSES AND DIRECTOR PROFILES

Thursday, April 3rd
3 pm
Zuzu Angel
(Sérgio Rezende, Rio de Janeiro, RJ, 2006, 110’)
Rating: No one under 14 admitted

In the 1960s, the world is in turmoil with all social groups undergoing transformations. In Brazil, designer Zuzu Angel’s career begins to take off while her son Stuart joins the student movement against the military dictatorship then in power. Ideological differences between mother and son run deep. She is a businesswoman. He fights for a socialist revolution, and is arrested, tortured and killed. Thus begins Zuzu's odyssey to free her son and to locate his body, once she discovers he is dead. Her actions reverberate all over Brazil, abroad and in her work. Zuzu’s crusade exposed the inner workings of the repression and, one night, she meets the same fate as her son, in a strange car crash.

5 pm
Vala Comum (João Godoy, São Paulo, SP, 1994,32’, DVD)
Rating: No one under 12 admitted

The opening of a clandestine mass grave found in São Paulo’s Perus Cemetery reveals a hidden past that sheds light on Brazil's recent political history.

Hercules 56 (Silvio Da-Rin, Rio de Janeiro, RJ, 2006, 94 min, DVCam)
Rating: All ages

On September 7, 1969, the Brazilian Air Force plane Hercules 56 flew 15 political prisoners to Mexico in exchange for the kidnapped American ambassador. In the film, the nine surviving group members and five members of the organizations responsible for the kidnapping recall their actions and discuss the armed struggle against the military dictatorship.

8 pm
The Year My Parents Went on Vacation (O Ano em Que Meus Pais Saíram de Férias)
(Cao Hamburguer, São Paulo, SP, 2006, 104min)

Rating: No one under 10 admitted

1970. Brazil and the world seem to be upside down, but 12-year old Mauro's main concern in life has little to do with the military dictatorship that rules the country: his greatest dream is to see Brazil become the three-time world soccer champion. Suddenly, he is separated from his parents and forced to adapt to a strange and amusing community – Bom Retiro, a neighborhood in São Paulo home to Jewish and Italian communities. A moving story of overcoming and solidarity.

Friday April 4th
3pm
Diário de Uma Busca
(Flávia Castro, Porto Alegre, RS, 2010, 108 min, HDCam)

Rating: No one under 10 admitted

October, 1984. Celso Castro, a journalist with a long history of leftwing militancy, is found dead in the apartment belonging to a former Nazi official. He had broken into the apartment. The police believes it was a suicide. The episode, which seems to come out of a thriller, is the starting point for Flavia, Celso's daughter and the director of the film. She decides to retrace the life and death of the extraordinary man who was her father. It is a journey in time and place: the director returns to Porto Alegre, Santiago, Buenos Aires, Caracas and Paris, backdrops for the family's exile and the illusion and failure of a political project. The result is a powerful and moving documentary that masterly combines police intrigue, commentary from family members and companions and the first person story of a childhood lived between exile and the armed struggle. The intertwined voices of Celso (through his letters) and his daughter create an intimate portrait of a relationship marked by history and absence.

5 pm
Hoje (Tata Amaral, São Paulo, SP, 2011, 90 min)
Rating: No one under 12 admitted

A former political militant receives an indemnification from the Brazilian government for her husband’s disappearance. He was a victim of the repression during the Brazilian military dictatorship (1964-1985). She can use the money to buy her own apartment and release herself from the suspended reality she has been living for decades, a period in which she was not officially recognized as a widow. When she begins to move into her new home, her husband returns. Their highly emotional meeting forces Vera to reconsider her past.

8 pm
Todas as Mulheres do Mundo
(Domingos Oliveira, Rio de Janeiro, RJ, 1966, 92 min)
Rating: No one under 12 admitted

Bon-vivant Paulo is always hitting on the beautiful women on the beaches of Rio. One day, this professional womanizer ends up meeting his true love in the form of Maria Alice, a young teacher. He must then face the dilemma of having to give up “all the women in the world” in order to live with just one woman. Through the story of Paulo and Maria Alice, the film illustrates the conflicts between old and new social roles for men and women in the 1960s.

Saturday, April 5th
3 pm
A Memória Que Me Contam (Lucia Murat, Rio de Janeiro, RJ, 2012, 100 min)
Rating: No one under 14 admitted

An ironic drama about failed utopias, terrorism, sexual behavior and the creation of a myth. A group of friends who fought against the military dictatorship and their children must face the conflict between the present and the past when one of them is dying.


7 pm
crônicasNÃOditas (Tatiana Lohmann, Claudia Schapira, Bianca Turner and Azul Serra, São Paulo, SP, 2014, 45’)
Rating: No one under 12 admitted

A TV and web series made by Itaú Cultural, conceived and produced by Manifesto Impromptu. With five episodes of about 8 minutes each, crônicasNÃOditas is based on representative moments of the dictatorship years. Each episode is a poem of dramatic actions, a small story that is enclosed within itself, always led by a narrator who presents himself under various disguises. These intertwined stories create a mosaic of a time when individual liberties were suspended.

Outline of the episodes

1. The Intruder
A pharmacist relates an incident that marked his usually peaceful life. It was the evening of December 13, 1968, a Friday the 13th. He was listening on the radio to the announcement of the AI-5 decree when a mysterious person knocked on his door.

2. The Meeting
The reunion of a general of the dictatorship and his adoptive daughter, who had disappeared once she discovered her true origin, a secret that revealed the cruel relationship between the military and the political prisoners.

3. The Happening
A group of militants, artists and intellectuals meet up at a party, a pretext for undercover political meetings. While waiting for the actors who will perform a happening, the camera takes on the role of a voyeur, catching aspects that human relations take on in dark times.

4.The Stain
A woman discovers that the man who raised her, who became her lover and is the father of the child she is carrying, was involved in the torture and murder of her parents who went missing during the dictatorship.

5. Pain
Freely inspired on the story of Zuzu Angel: the disappearance of a son and a mother’s frenetic search to find him that ends up provoking her own death.



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